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independence2 unconnected · 3 more authors in those circles
standing

contested · 6 claims against 2

applies to

b2b and consumer, no audience needed

outcome not stated

confidence

high

evidence

8 claims · 6 articles · 4 receipts

window

2017-12-032021-05-23

2 builders who never spoke to each other · contested

Read it aloud and cut it in half

Run a loop before publishing: read the draft out loud, delete every sentence that feels unnecessary, read it again, and restore a line only if losing it genuinely cost context. Edit by asking whether removing a part would hurt rather than whether it adds, and use hard length limits per format as a creative aid rather than a constraint. Padding pushes readers away from the ask.


Where this splits

Most members cut hard before publishing, while Jakob Greenfeld argues each editing pass rounds off the passages that made the piece worth reading and publishes his unedited.

  1. side 01 · 6 claims

    Cut the draft hard before you publish it

    Corey Haines · Greg Kogan · Harry Dry · Katelyn Bourgoin

    1. 1Before publishing, cut your copy to half its length with this loop: read it out loud, delete every sentence that feels unnecessary, read it again, and only restore a deleted line if removing it genuinely lost context.
    2. 2Edit by asking whether removing a part would hurt anything, rather than whether it adds anything, and prune until only the essential remains.
    3. 3Force clarity with hard length limits on each format - a 30-second pitch, a 300-word article, a 15-word marketing email - and treat the constraint as a creative aid.
    4. 4Edit titles by deletion; treat every word you can remove as money earned.
    5. 5Read the draft out loud to your partner at home and rewrite whatever makes them wince.
  2. side 02 · 2 claims

    Publish unedited, every pass rounds off what mattered

    Jakob Greenfeld

    1. 1Publish the piece unedited, because every editing pass rounds off the corners and the passages you hesitate over are the ones that make it worth reading.
    2. 2Start writing without knowing where the piece will end up, since a reader can see the shape of a carefully mapped out argument coming and there is nothing left to surprise them.

What it returned

  • 30

    30 seconds, 300 words, 15 words.

  • Bourgoin's position is that padding actively pushes readers away from the call to action, and that saying less usually communicates more.

  • He pairs Grammarly, which is free as a browser extension, with the Hemingway Editor for making copy easier to read.

  • His essays are single-sitting journal entries with no outline, notes, draft or edit, a habit he took from the exercise Matthew Dicks calls Crash & Burn in Storyworthy.


Sources


the second source

Three plays a week, for the phase you are in

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More in copy

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the second source

Three plays a week, for the phase you are in

No roundup of links, no news. Three tactics more than one builder arrived at separately, with the numbers each one returned and the disagreements left in.

963 corroborated plays to draw from · 3 a week

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